Student Film Projects


Note: Jim Morrison & Ray Manzarek take part but are not credited in various film projects by fellow classmates.

HISTORY & EVENTS:


JIM MORRISON:

-Graduates from George Washington Sr. High, in Alexandria, VA in 1961.
-Enrolls at St. Petersburg Jr. College in Florida for the 1961-1962 academic year.
-Enrolls at FSU for the 1962-1963 year, studying sociology, history, and physics.
-Attends Werner Vaught's cinematography course, and majors in theater at FSU for the 1963-1964 year.
-Arrested on September 28th, 1963 at Doak Campbell Stadium while attending FSU.
-Photographed while performing as Gus in Harold Pinter's The Dumb Waiter at FSU on December 5th and 6th, 1963.
-Transfers to UCLA in early 1964.
-Remains enrolled at UCLA for the 1964-1965 year.
-Directs a short film titled A Feast Of Friends in early 1965.
-Appears on-stage with Rick & The Ravens to help with a contractual obligation, but does not perform.
-Graduates film school at UCLA in mid-1965, officially receiving a Bachelor of Arts degree on August 13th.
-Forms an early version of The Doors with Ray Manzarek in the summer of 1965.
-Rehearses early music by The Doors with Ray Manzarek in the Schoenberg Music Hall at UCLA.
-Returns to UCLA in December 1965 to perform with The Doors during a student film screening event.
-Photographed by UCLA classmate Nettie Peña with The Doors while performing at the London Fog in 1966.
-Honored at UCLA in 1971 with the establishment of the Jim Morrison Film Fund.

Jim Morrison as Gus in The Dumb Waiter - FSU 1963
Jim Morrison As 'Gus' In Harold Pinter's The Dumb Waiter - FSU 1963

RAY MANZAREK:

-Graduates from St. Rita Sr. High in Chicago, IL in 1956.
-Attends DePaul University in Chicago from 1956-1960, studying economics and business.
-Enrolls at UCLA for the 1960-1961 academic year, aspiring to study law.
-Studies film at UCLA from late 1961, graduating in 1965.
-Directs and parttakes as an actor in four short films while attending film school.
-Performs in groups known as The UCLA Trio and Rick & The Ravens while attending UCLA.
-Receives a Theater Arts degree from UCLA in mid-1965.
-Forms an early version of The Doors with Jim Morrison in the summer of 1965.
-Rehearses early music by The Doors with Jim Morrison in the Schoenberg Music Hall at UCLA.
-Returns to UCLA in December 1965 to perform with The Doors during a student film screening event.
-Photographed by UCLA classmate Nettie Peña with The Doors while performing at the London Fog in 1966.
-Graduates with a Bachelors Degree in Economics, Masters Degree in Motion Picture, and a Bachelors Degree of Fine Arts.

Ray Manzarek Performs While Attending DePaul University - Chicago 1958-1959
Ray Manzarek Performs At DePaul University, Chicago - c. 1958-1959

1965 STUDENT FILM SCREENINGS:


NEW FILM THINGS - MAY 1965

On May 21st & 22nd 1965, the fifth semi-annual screening of UCLA student films takes place at Royce Hall Auditorium. The event is titled New Film Things and serves as a competition for the winning films to be included in film festivals around the world. This event features two recently completed films made by or featuring Ray Manzarek, as well as an entry by Paul Ferrara who later becomes The Doors official photographer. Prior to the event at Royce Hall, the films are shown to the press on May 19th at the Directors Guild Theater in Hollywood. Jim Morrison's original 1965 student film, allegedly titled A Feast Of Friends, now lost, is not included in the event. The films featuring Ray Manzarek are The Wino And The Blind Man and Evergreen, and Paul Ferrara's 1965 student film is titled End Of Summer.

LETTER:

The Doors - UCLA Letter 1965 - New Film Things

ARTICLE:

New Film Things - Article

ARTICLE:

New Film Things - Article

REVIEW:

New Film Things - Review


NATIONAL STUDENT FILM FESTIVAL - OCT. 1965

On October 1st, 1965 UCLA hosts the first National Student Film Festival at UCLA's Royce Hall. Sponsored by the Graduate Student Association and the National Student Association, 75 films are chosen from universities across the country to be shown and judged by a panel of film experts and critics. In a Newsweek article dated October 25th, 1965 the festival is profiled with an opening quote from Ray Manzarek, who likely had his film Evergreen submitted and shown in the festival.

REVIEW:

The Doors - UCLA First National Student Film Festival

REVIEW:

The Doors - UCLA First National Student Film Festival

UCLA YEARBOOK 1965-1966

The Doors - UCLA Yearbook 1965-1966


OP, POP & KICKY FLICKS - DEC. 1965

In December 1965, UCLA hosts their second student film screening event of the year at the Royce Hall Auditorium. The sixth semi-annual event, hosted by the head of the UCLA Motion Picture Division Ed Brokaw, is titled Op, Pop & Kicky Flicks, and includes an eight minute film by Ray Manzarek titled Who And Where I Live. During the screening of the film, The Doors give one of their earliest live performances as a newly formed group in which they perform an instrumental soundtrack to Who And Where I Live while the audience watches. The original program for this event profiles many of the films shown at the event, including Ray's Who And Where I Live, Patient 411: A Progress Report by Ronald Raley, a film crediting Jim Morrison with cinematography, and Five Situations For Camera, Recorder and People, a film by Alex Prisadsky that credits Jim Morrison with sound. Click HERE to watch Five Situations For Camera, Recorder and People right here on MildEquator.com!

PROGRAM:


CLICK TO SEE INSIDE! >




NEWSPAPER AD #1:

Op, Pop & Kicky Flicks

NEWSPAPER AD #2:

Op, Pop & Kicky Flicks - Newspaper Ad

ARTICLE:

Op, Pop & Kicky Flicks - Article

REVIEW:

Op, Pop & Kicky Flicks - Review

UCLA YEARBOOK 1965-1966

The Doors - UCLA Yearbook 1965-1966


REPERTOIRE WORKSHOP: OP, POP & KICKY FLICKS

On January 2nd, 1966 CBS airs its weekly television show Repertoire Workshop with an episode titled Op, Pop & Kicky Flicks. The program is designed to bring attention to local and unknown creative talent, and this episode focuses on the student films recently completed at UCLA. While the contents of the episode are currently unknown, there is a possibility that one or more of Ray Manzarek's student films may have been integrated into the production. Although Ray's Who And Where I Live is now lost, the film was included in the Royce Hall screenings of December 1965, and a small or complete portion of the film could possibly be found on copies of this episode.

TV LISTING:

The Doors - Repertoire Workshop 1966

ARTICLE:

The Doors - Repertoire Workshop 1966



JIM MORRISON STUDENT FILMS:


FSU: TOWARD A GREATER UNIVERSITY


Jim Morrison - Toward A Greater University - FSU Film

PRODUCER: Werner Vagt
DATE: Late 1963 - Possibly Early 1964
LOCATION: FSU - Tallahassee, FL
COLOR: B&w
LENGTH: 16:55
FORMAT: 16mm
AUDIO: Yes



Info:

This 16mm black and white film was shot in 1963 while Jim Morrison is attending Werner Vagt's cinematography course at the small film school department of FSU, and is re-discovered in the FSU archives in 2005. The film was intended as a public relations film to be broadcast on WFSU-TV, the University's television station, and titled Toward A Greater University following FSU President Robert M. Strozier's announcement of his goal to make "Florida State a great University". The film later receives screenings in other parts of the U.S. Although uncredited, this footage gives a rare, early glimpse of a short-haired Jim Morrison before his days with The Doors.

Screenings:


02/17/1965 - Little Theatre - Mamaroneck, NY

FSU PROJECT


Unknown FSU Project

FILM BY: Jim Morrison
DATE: xx/xx/1963
LOCATION: FSU - Tallahassee - FL
COLOR: Unknown
LENGTH: Unknown
FORMAT: Unknown
AUDIO: Unknown


Info:

Another 8mm film project is reported to have been made by Jim Morrison while attending FSU, although the whereabouts of this film are unknown. It appears likely that Jim was involved with multiple film projects while attending FSU that no longer exist, or have yet to be identified by researchers. The 8mm film listed here allegedly features 'guys peeking around bushes' and other obscure scenes shot by Jim.

FIRST LOVE


First Love

FILM BY: Max Schwartz
DATE: xx/xx/1964
LOCATION: UCLA - Los Angeles - CA
COLOR: B&w
LENGTH: 3:35
FORMAT: 16mm
AUDIO: Silent




Info:

This silent color film was said to have been shot in 1964, but may have been shot in early 1965. Jim Morrison does not make an appearance in this film, however he is responsible for the camerawork. No credits are incorporated into the film. The original 16mm film, shot with a Kodak Brownie, is still owned by Max Schwartz, who stars in the production with his girlfriend. In a 2002 documentary titled Hyacinth, Max Schwartz profiles the film and explains its conception and Jim Morrison's involvement.

UCLA PROJECT - A FEAST OF FRIENDS


UCLA Project

FILM BY: Jim Morrison
DATE: 03/13/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: Yes
LENGTH: Unknown
FORMAT: 16mm
AUDIO: Yes



Info:

16mm film directed by Jim Morrison in the spring of 1965. In a later 1970 interview, Jim Morrison discusses his time at UCLA and his short film he claims was titled A Feast of Friends. Although portions of this project were shown in Oliver Stone's The Doors, the film was in fact a re-creation that Ray Manzarek claims was very similar to the original project. Many searches, including one by Oliver Stone himself, have been conducted through UCLA's archives in an attempt to find the film, however nothing has surfaced.

Upon completion of the project in 1965, Jim screens the finished work for his classmates and head of the motion picture division Ed Brokaw who scolds Jim for failing to properly assemble together strips of film. In later years, Ed Brokaw expressed that Jim had "finally done it", referring to his success as an artist.

"Jim's student film from our UCLA years had caused a buzz that wasn't necessarily all good. His print had fallen apart during the screening. In essence, the professor claimed that Jim was a bad filmmaker because of this faulty editing. In retrospect, I would have to say that it was a bad call on the teacher's part to come down on him so heavy. The visuals of Jim's film are vivid in my mind today. He turned the camera on his own crew. They were in Phil O'Leno's parents house, drinking and smoking grass. Someone rolled a joint and they passed it around. They were high and the camera was hand held. The girlfriend of one of the crew stripped down to her undies and climbed on top of the T.V. She was dancing slowly and was threatening to take it all off. The program on the television just happened to be a documentary on Hitler's army marching into Paris. The combination of the semi-nude girl dancing and the Nazis marching is unforgettable. He was being free, letting the situation develop and capturing the moments on film. It was so pure. So his editing was not so good: his eye and his creativity made up for it." - Paul Ferrara, Flash Of Eden


FIVE SITUATIONS FOR CAMERA, RECORDER AND PEOPLE


Five Situations For Camera, Recorder and People

FILM BY: Alex Prisadsky
DATE: 03/20/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: B&w
LENGTH: 6:43
FORMAT: 16mm
AUDIO: Yes



Info:

Jim Morrison is credited with sound in this 16mm, black & white film by Alex Prisadsky. Various portions of the original audio soundtrack recordings are used in the film, however several portions were re-recorded by the director for the final cut. A very special thanks to Alex Prisadsky for sharing details of the film here on MildEquator.com -

"Jim Morrison was the sound man on my first student film at UCLA. I asked a bunch of the crew and my friends at the housing coop where I lived to wear dark suits for the film - Jim didn't have one. That was one reason I asked him to be the sound recordist. The other was that he had shown a remarkable affinity for sound. 6 or 7 of us were in a group that took turns crewing for each other's films on successive Saturdays, in the Spring of 1965. Jim had shot part of his film the previous Saturday, in which we all played a noisy audience. A stag film we were watching broke and the screen was white with projector light. As the sounds of protest escalated, some of us made shadow puppets on the screen and yelled even louder. He had us repeat this for many takes. The experience made us literally high and influenced me to try to create that kind of crowd chaos, in my own way, in my film the next week.

In 'Five Situations', Jim's job was to record sound to go with each scene after filming of the scene was completed (the film was not shot in sync sound). For instance, after the bottle breaking scene, he had someone break some more bottles so he could mic it closely. Maddeningly, many of the bottles were bouncing instead of breaking. After awhile I yelled 'cut', but he insisted on more bottle smashes until he got what he wanted. After we finished shooting all the picture takes of the bathroom scene, we did another run through for sound. Jim decided he wanted to be in the mob, not outside it, during the jostling. He stood in the middle of the group in what was essentially a mosh pit, recording the concussions as well as everything else. When I was editing the film, I decided to try slowing down the sound to see how it "worked". The scene worked much better with the sound slowed down this way, so I transferred it and put it in. I did the same with the bottle breaking scene.

Long digression: The concept of judging an edit on whether it 'worked' or not, yes or no, black or white, was introduced to us by Edgar Brokaw. He taught the advanced editing class and the script writing class that both Jim and I took. He was to have been the advisor for our Saturday Workshop group. (Due to his illness, another professor took over.) Brokaw was harshly critical of Jim's film at the student screening because Jim had failed to 'double splice' his edits and they wouldn't go through the projector (ironically, much like the broken stag film in his project). For all that, Brokaw was among the few on the faculty who respected Jim's talent. I remember seeing Brokaw years later, probably the early 70's; he had a big poster of Jim with The Doors on the wall of his office. He said something like "Jim made it work", meaning he found a way to turn his vision into art."

Alex Prisadsky
http://www.Prisadsky.net
Copyright © 2011 Alex Prisadsky

A Special thanks to Alex Prisadsky for his contribution to this page! To watch Five Situations For Camera, Recorder and People, please visit http://www.prisadsky.net or click HERE to watch the film on MildEquator.com!

Screenings:

12/10/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/11/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/17/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/18/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/19/1965 - UCLA Royce Hall Auditorium - Westwood, CA


Jim Morrison Is Credited With Sound In Five Situations For Camera, Recorder And People


Five Situations For Camera, Recorder And People Original Film Can

PATIENT 411: A PROGRESS REPORT


Patient 411

FILM BY: Ronald Raley
DATE: 03/xx/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: B&w
LENGTH: 8:25
FORMAT: 16mm
AUDIO: Yes



Info:

Described as "A faux case study of a male hustler, produced by the California Institute of Neuropsychiatry" by UCLA, this student film by Ronald Raley credits 'J. Morrison' onscreen. Jim's role in the film is said to be that of a cameraman and partial director. This film resides in the UCLA Film & Television Archives and is occasionally shown at public events.

Screenings:

12/10/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/11/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/17/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/18/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/19/1965 - UCLA Royce Hall Auditorium - Westwood, CA


Jim Morrison Is Credited As J. Morrison


Patient 411: A Progress Report Original Film Can


RAY MANZAREK STUDENT FILMS:


THE WINO AND THE BLIND MAN


The Wino & The Blind Man

FILM BY: Jose Gonzalez
DATE: xx/xx/1964
LOCATION: UCLA - Los Angeles - CA
COLOR: B&W
LENGTH: 14:00
FORMAT: 16mm
AUDIO: Yes





Info:

Ray Manzarek's first appearance on film. This is fellow UCLA classmate Jose Gonzalez's 1964 student film titled The Wino And The Blind Man. Niko Kopp plays the wino, and Ray plays the part of the blindman. The story follows a wino who is always running out of money, who then notices a blindman receiving money for his needs. He gets the idea to try his own hand at the act by pretending to be blind, in which he is unsuccessful in a comical way.

In early April of 1965, Jose Gonzalez wins UCLA's first Bill Dana Theater Arts Award for the making of this film, a $500.00 award with first priority to be given to Mexican-Americans, and it is later given screenings during UCLA's fifth semi-annual student film screening event at Royce Hall Auditorium in May. In March of 1968, Jose Gonzalez is shockingly arrested for the brutal murder and mutilation of his then girlfriend and UCLA co-ed, Rita Letsinger. The film now resides in the UCLA Film & Television Archive.

The Wino And The Blindman Film Strip

Screenings:

05/19/1965 - Directors Guild Theater - Hollywood, CA (Press Screening)
05/21/1965 - UCLA Royce Hall Auditorium - Westwood, CA
05/22/1965 - UCLA Royce Hall Auditorium - Westwood, CA

EVERGREEN


Evergreen

FILM BY: Raymond D. Manczarek - 'Ray Manzarek'
DATE: xx/xx/1964
LOCATION: UCLA - Los Angeles - CA
COLOR: B&W
LENGTH: 12:32
FORMAT: 16mm
AUDIO: Yes



Info:

Ray's UCLA student film from 1964, starring Dorothy Fujikawa, and Henry Crismonde (aka Hank Olguin). At the start of The Doors career, Hank allows the group to use his piano and living room for their very first rehearsal in September of 1965. Ray's Venice Beach apartment is used as a shooting location for this film, and the Whisky A Go Go can be seen, two years before The Doors make their performance debut at that venue in 1966. An artist by the name of Billy Lee Riley is performing at the Whisky during this time period, and in very early 1965 a live-at-the-Whisky album is released, indicating that this student film was shot in late 1964. The first known UCLA Screenings take place between May 21st and 22nd, 1965 at Royce Hall, with a press screening taking place beforehand at the Directors Guild Theater in Hollywood on May 19th. This film was officially released on the Collection DVD and currently resides in the UCLA Film & Television Archive.

Screenings:

05/19/1965 - Directors Guild Theater - Hollywood, CA (Press Screening)
05/21/1965 - UCLA Royce Hall Auditorium - Westwood, CA
05/22/1965 - UCLA Royce Hall Auditorium - Westwood, CA
01/06/1968 - Cinema Theatre - Los Angeles, CA
03/28/1968 - Academy Theater - San Diego, CA

INDUCTION


Induction

FILM BY: Raymond D. Manczarek - 'Ray Manzarek'
DATE: 04/xx/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: B&W
LENGTH: 15:04
FORMAT: 16mm
AUDIO: Yes



Info:

Ray's second UCLA film shot during the spring semester in 1965. A showing of his previous film Evergreen can be seen within this film, and appearances are made during the party scene by fellow classmates Jim Morrison and his girlfriend Mary Werbelow, Paul Ferrara, as well as Jim Manczarek who can be seen playing piano. Also shown is the Lucky U Cafe, a UCLA student hangout where The Doors would later enjoy meals as a group. UCLA student film screenings are scheduled to take place between May 13th and May 28th, 1966, and Induction is included. This film was officially released on the Collection DVD and currently resides in the UCLA Film & Television Archive.

Screenings:

05/13-14,20,22,27-28/1966 - UCLA Royce Hall Auditorium - Westwood, CA (Exact Screening Dates Unknown)
11/xx/1966 - Unicorn Theater - San Diego, CA
09/11/1971 - Cinema Theatre - Los Angeles, CA


Jim Morrison Appears In Ray Manzarek's Student Film Induction

WHO AND WHERE I LIVE


Who And Where I Live

FILM BY: Raymond D. Manczarek - 'Ray Manzarek'
DATE: xx/xx/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: Color
LENGTH: 8:00
FORMAT: 8mm
AUDIO: Yes



Info:

Who And Where I Live is an 8-minute, 8mm color design film by Raymond D. Manczarek featuring Dorothy Fujikawa. At UCLA's Royce Hall, the project was used as a stage film in which The Doors are said to perform a musical 'soundtrack' while the audience watches on. Known UCLA screenings of this film presumably take place on December 10th and 11th, 1965 with The Doors providing music, but may have been shown on later dates (December 17th, 18th and 19th). UCLA reports that this film is missing from their archives.

Screenings:

12/10/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/11/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/17/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/18/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/19/1965 - UCLA Royce Hall Auditorium - Westwood, CA

Who And Where I Live


RELATED FILMS:


END OF SUMMER - PAUL FERRARA


End Of Summer - Paul Ferrara

FILM BY: Paul Ferrara
DATE: xx/xx/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: B&W
LENGTH: 15:00
FORMAT: 16mm
AUDIO: Yes



Info:

A UCLA student film by The Doors official photographer and Feast Of Friends director Paul Ferrara. This film stars Richard Blackburn and Jeannie Appel, with photography by Stanton Kaye.

"My 170 film project The End Of Summer starred my ex-roommate Dick Blackburn and my old girlfriend from El Camino, Jeannie A. Colin Young was the instructor in charge of my class. Under his tutorship I put together a story of two young people who go for a bike ride at the beach and stumble upon a mysterious house. The house was the castle near Hamburger Square # 11 1/2 Anchorage in Venice Beach where Ron Ellis lived. They find the door open and go in. They are alone. They explore. They put on so me music. It was bossa nova, "The Girl from Ipanema", and they dance. They sink to the floor. They make out." - Paul Ferrara, Flash Of Eden

Screenings:

05/19/1965 - Directors Guild Theater - Hollywood, CA (Press Screening)
05/21/1965 - UCLA Royce Hall Auditorium - Westwood, CA
05/22/1965 - UCLA Royce Hall Auditorium - Westwood, CA


PHOTOGRAPH:

Filming The End Of Summer
Paul Ferrara & Film Crew - Photograph Courtesy Of Paul Ferrara


Les angeS Dorment - FELIX VENABLE


Les angeS Dorment - Felix Venable

FILM BY: Felix Venable
DATE: xx/xx/1965
LOCATION: UCLA - Los Angeles - CA
COLOR: B&w/Color
LENGTH: 9:00
FORMAT: 16mm
AUDIO: Yes



Info:

Properly titled Les angeS Dorment, this UCLA student film by Felix Venable was shot in both black and white and color in 1965. Jim Morrison is thought to have taken part in the production of this film, however details are unknown. Mary Morhoff is also credited along with Felix. The film is described as "A series of vignettes set to varying scores are exemplified by highly refined and intuitive camerawork and editing. This influential film is intensely and quietly psychedelic, suggestive of acid experiences and a shifting sense of fragmented consciousness."

"I remember Felix telling stories about his years of living in Berkeley, attending U.C. Berkeley and then driving a bus for a living. Felix was an undergraduate transfer into UCLA. A great storyteller. Also a consummate bullshitter. Two personality traits that worked well together in Felix. He has been mythologized as Mephistopheles to Jim's Faust. Maybe so, but life is always more complicated than a literary analogy. There was a third running buddy in those UCLA film school and (drug fueled) post-UCLA film school adventures - Phil O'leno. Phil's still alive, somewhere in Northern California. Felix had applied to, and been accepted into the UCLA Film School Graduate Program, beginning in the fall of 1970, when he died of stomach cancer on November 14th, 1970."

By David Thompson, UCLA Film School Graduate & Hollywood Bowl Cameraman

A Special Thanks to David for providing his commentary to MildEquator.com!

SCREENSHOT:

Les angeS Dorment

Screenings:

12/10/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/11/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/17/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/18/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/19/1965 - UCLA Royce Hall Auditorium - Westwood, CA
12/08/1972 - UCLA Royce Hall Auditorium - Westwood, CA

NEWSPAPER PROFILE:

Les angeS Dorment Profile

ZEN MASTER - FRANK LISCIANDRO


Zen Master - Frank Lisciandro

FILM BY: Frank Lisciandro
DATE: xx/xx/1966
LOCATION: UCLA - Los Angeles - CA
COLOR: B&w
LENGTH: 3:00
FORMAT: 16mm
AUDIO: Yes



Info:

A UCLA student film by Frank Lisciandro, friend and photographer of The Doors. This film is said to have been shot in 1966 and runs at 3 minutes.

CALL IT COLLAGE '66 - NETTIE PENA


Call It Collage '66

FILM BY: Nettie Peña
DATE: xx/xx/1967
LOCATION: UCLA - Los Angeles - CA
COLOR: Yes
LENGTH: 13:00
FORMAT: 16mm
AUDIO: Yes






Info:

A UCLA student film by Nettie Peña that includes recordings and photographs of The Doors from their first performance at the London Fog. Original screening programs describe this film as "An advanced design project" featuring music by "The Doors" and Carol Weber. Screenings are held at Royce Hall Auditorium in December 1966 in the eighth semi-annual student film screening event titled Conflict. Nettie's 1965 film is titled Cum Joyn Us and another 1966 film is titled The Wonderful World Of Wigs.

Screenings:

12/09/1966 - UCLA Royce Hall Auditorium - Westwood, CA
12/10/1966 - UCLA Royce Hall Auditorium - Westwood, CA
12/16/1966 - UCLA Royce Hall Auditorium - Westwood, CA
12/17/1966 - UCLA Royce Hall Auditorium - Westwood, CA
12/18/1966 - UCLA Royce Hall Auditorium - Westwood, CA
12/08/1972 - UCLA Royce Hall Auditorium - Westwood, CA

Call It Collage '66